Reviews
"A perceptive, compassionate, often comical, frequently laugh-out-loud hilarious picaresque"
"Silverstein's adventures and prose are first-rate."
"The sheer pleasure of reading this book eclipses any impulse to split hairs regarding documentary and fiction. Silverstein blends the two marvelously, approximating, if not replicating, a lived experience."
"His genial presence, in a beat-up Toyota with plenty of curiosity and workable Spanish, is a constant. Whether he's writing about retired ranch hands, his landlords, Mexican construction workers or Nazi mechanics, we trust him ...When Silverstein is front and center, making wry jokes, musing about the road and what journalism might mean, "Nothing Happened and Then It Did" has a thoughtful momentum."
"Silverstein’s wonderful, hybrid “Nothing Happened and Then It Did’’ uses the border between fiction and nonfiction not as an area of prohibition but as a place of play and dialogue. In this, his first book, Silverstein, a rare master practitioner of long-form narrative journalism, offers a hilarious, subtle, and empathetic examination of writing and identity."
"This greatly entertaining and extremely funny book was conceived out of a clear dissatisfaction with our labels of literary designation. But the revolt is an indeterminate one, for the book does not slip through the bars designed to hold it; it embraces them. This is, in the end, why Nothing Happened and Then It Did is so weird. In its attempt to break the literary law, it dutifully stops at every red light. It is almost as though Silverstein asks you to follow him into a battle that both you and he know he will lose. He is such a good nonfiction writer that you follow him anyway. He is such a good nonfiction writer, in fact, that you do not believe a word he says."
"The road novel—or the road half-novel—has rarely been funnier or more appealing than it is in Jake Silverstein’s NOTHING HAPPENED AND THEN IT DID...Silverstein distinguishes “fact” from “fiction,” but the distinction ceases to matter as one is swept into this account of postcollege purposelessness...his quest to become a roving eyeball is so entertaining that it doesn’t matter what’s happening, or what’s not."
"Texas Monthly editor Mr. Silverstein attempts a high-wire hybrid act, weaving together his incandescent journalism--he wrote the classic Harper's feature "What Is Poetry? And Does It Pay?"--within a fictional framework about the reporter hunting down the stories."
“In his first book, Silverstein, editor of Texas Monthly, offers eight wry essays with one intriguing twist: half of them are fact and half of them are fiction. He has a great deal of fun tweaking boundaries and bending perceptions, for it is often the factual accounts that strain credulity . . . A terrific combination of droll humor and fine writing makes this title one to savor.”
–Booklist
“The juxtaposition of fact and fiction makes an engaging game of each piece, while Silverstein’s eye for oblique detail and an accessible style in the tradition of adventurer-journalists like Samuel Clemens, Susan Orlean and Hunter S. Thompson brings him journalistic success where he claimsto fail.”
–Kirkus